Wuzzleburg (Original Motion Picture Soundtrack) is the film score to Wuzzleburg.
Development[]
On December 9, 2022, it was announced that Harry Gregson-Williams would compose the music score of Wuzzleburg. The end credits and the documentary The Making of Wuzzleburg both revealed that the score recording took place at the Ocean Way Nashville, Nashville, Tennessee, in November 2023.
On June 21, 2024, it was confirmed that Christina Aguilera had provided a cover to "Rainbow" (from My Little Pony: The Movie). The track was officially released as a commercial single by Interscope Records on June 28. The song is played at the film's end credits. The song was widely praised by critics and received nominations for and wins the Broadcast Film Critics Association Award for Best Song and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.
Hollywood Records released the film's soundtrack album digitally on June 30, 2024, with physical releases on July 6, featuring the score written by Gregson-Williams and "Rainbow".
Tracks[]
| Title | Artist | Key Scenes/Notes |
|---|---|---|
- "The Power of Love" - Huey Lewis and the News
- "Piano Sonata No. 8 in C Minor, op. 13 'Pathetique'" - Jenő Jandó (written by Ludwig van Beethoven)
- "Power To Believe" - The Dream Academy
- "(They Long to Be) Close to You" - The Carpenters
- "Concerto in Do Maggiroe Per Pianoforte eo Orchestra: Larghetto" - Andreas Staier and Concerto Köln (written by Antonio Salieri)
- "Doubleback" - ZZ Top
- "Big Man On The Block" - Bob Mair & Nick Vincent
- "Raindrops Keep Fallin' on My Head" - B. J. Thomas
- "Where Evil Grows" - The Poppy Family
- "Wake Up" - John Legend and The Roots (Extended edition only)
- "I Gotta Feeling" - Black Eyed Peas
- "Rainbow" - Christina Aguilera
Music Concept[]
The following is the concept of the film's score, which are combinations of various music scores from past movies/TV shows (which were originally created by several composers) in soundtrack order.
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Trivia[]
- The film's soundtrack cover is similar to the theatrical release poster.
- The opening fanfare music at the start of "Prologue" has the same notes as the Baby Einstein Fanfare. The performance was that of composer Harry Gregson-Williams at the start of the soundtrack's recording; producer Neal H. Moritz just handed him a trumpet and asked him to try it, and he did in one take and five seconds.
- During his interview at the world premiere, Harry Gregson-Williams reveals he selected the soundtrack at the Ocean Way Nashville one day before the scoring session by listening to the score of past movies.